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NEW YORK, NY ­ November 9, 2019 Solomon R. Guggenheim Museum announces upcoming exhibitions for the month of December.

Solomon R. Guggenheim Museum

The Fullness of Color: 1960s Painting

December 18, 2019–August 2020

Tower Gallery 5

The title of this exhibition was inspired by Systemic Painting, the 1966 Guggenheim exhibition where curator Lawrence Alloway pointed to the emergence of an artistic style that “combined economy of form and neatness of surface with fullness of color.” The Fullness of Color presents artists whose style embodied Alloway’s description. Helen Frankenthaler had pioneered in 1952 the “soak stain” technique, whereby she manipulated thinned acrylic washes into the unprimed cotton fabric of the canvas to

produce rich, saturated surfaces. Those who followed over the next decade similarly handled paint as a dye that penetrates the fibers of the canvas rather than as a topical layer brushed over it. Morris Louis and Jules Olitski poured, soaked, or sprayed the paint onto canvases, thus eliminating the gestural stroke that had been central to Abstract Expressionism. Figure and ground became one and the same, united through color. Painters in the 1960s likewise approached relationships between form and color

through geometric languages, as shown in works by Kenneth Noland and Paul Feeley.

The Fullness of Color is a reflection of the Guggenheim’s historical engagement with this period, highlighting the varied and complex course abstraction followed in the twentieth century through examples of works now characterized as Color Field, geometric abstraction, hard-edge, or systemic painting. This presentation is organized by Megan Fontanella, Curator, Modern Art and Provenance, Solomon R. Guggenheim Museum.

Marking Time: Process in Minimal Abstraction

December 18, 2019–July 2020

Tower Gallery 7

During the 1960s and 70s, many artists working with abstraction turned toward minimal approaches. As some of them pared compositional, chromatic, and virtuosic flourishes from their work, a singular emphasis on their physical engagement with materials emerged. The pieces they created—whether characterized by interlocking brush strokes, a pencil moved through wet paint, or a pin repeatedly pushed through paper—call on viewers to imaginatively reenact aspects of the creative process. It is a distinctly empathetic mode of engagement that relies on an awareness of one’s own body, as inhabited and inhabiting time, and, perhaps even more important, a consciousness of the embodied experiences of others. Featuring an international array of paintings and works on paper by Agnes Martin, Roman Opałka, Park Seo-bo, and others, this presentation selected from the Guggenheim Museum’s collection explores this tendency, while considering its rise in multiple milieus and how artists used it to

individualized ends. This exhibition is organized by David Horowitz, Assistant Curator, Solomon R. Guggenheim Museum.

Visit Solomon R. Guggenheim Museum here: GUGGENHEIM



Jurors Diane Kruger, Dede Gardner, Gugu Mbatha-Raw, Sam Taylor-Johnson and Paula Weinstein Award CHAMP Full Production Funds Along with Support From Tribeca Studios

Tk Wonder, Catherine Keener and Cipriana Quann Greenwich Hotel Penthouse on November 06, 2019 in New York City. (Photo by Dimitrios Kambouris/WireImage )

NEW YORK, NY ­ November 6, 2019 ­ Tribeca Enterprises and CHANEL concluded the fifth annual THROUGH HER LENS: The Tribeca Chanel Women's Filmmaker Program, announcing the recipient who will receive full production funding for her original short film at a cocktail reception this evening in New York City. 

Writer/director Hannah Peterson and producer Taylor Shung were selected by the jury to receive the production grant, along with production support from Tribeca Studios for their short film, CHAMP. In addition, the other four writer/directors in the program each received a development grant to support continued work on their respective films to bring them closer to production. A total of $100,000 in filmmaker grants was awarded amongst the five projects.

Following an intensive, three-day workshop, the filmmakers from the five projects selected pitched their projects to a jury comprised of: producer Dede Gardner (Moonlight, The Big Short), actor Diane Kruger (355, In the Fade), actor Gugu Mbatha-Raw (Motherless Brooklyn, ³The Morning Show²)director Sam Taylor-Johnson (A Million Little Pieces, Nowhere Boy)and producer and Tribeca Chief Content Officer Paula Weinstein (³Grace and Frankie,² The Perfect Storm, Recount). 

Roja Gashtili and Kantu Lentz, Greenwich Hotel Penthouse on November 06, 2019 in New York City. (Photo by Dimitrios Kambouris/WireImage )

³Since we created Through Her Lens five years ago, it has developed from a three-day mentorship program to a vibrant community of storytellers and industry leaders - all of whom have raised their voices in support of their fellow women filmmakers. With great pride, we welcome this year's filmmakers,² said Paula Weinstein, Chief Content Officer of Tribeca Enterprises. 

From the jury: ³Selecting a winner was challenging. All of the projects and scripts were so well put together. The filmmakers are attentively listening to the world around them and directly responding.The project we selected told a story about a big issue in an intimate and succinct form that is relatable. Hannah Peterson stayed true to the seriousness of the subject without forfeiting joy.²

The winning project, CHAMP, centers on point guard Genevieve who, while traveling on a train through Texas for an away game, has an unwanted encounter with her high school basketball coach. Wielding her strategy and grit off the court, Genevieve finds a way to retaliate.

³I feel like one of the best parts of this program is that every film feels like it is going to be made no matter what. But receiving the funds means that me and my producer Taylor Shung can make our film in the best way possible which is extremely exciting and also just to be a part of this Tribeca and CHANEL family gives it this extra boost that is a very unique privilege² said Hannah Peterson. 

The announcement wraps up an impactful program, presented by Tribeca and CHANEL, in collaboration with Pulse Films, and facilitated by Tribeca Film Institute® (TFI), which offered the participants project support, one-on-one mentorship, peer-to-peer sessions, and master classes on directing, costume design, composing, producing and editing. The women filmmakers selected for the program were:

Gugu Mbatha-Raw and Diane Kruger, Greenwich Hotel Penthouse on November 06, 2019 in New York City. (Photo by Dimitrios Kambouris/WireImage )

  • Writer/Director Hannah Peterson and Producer Taylor Shung with CHAMP

  • Writer/Director Kantú Lentz and Producer Roja Gashtili with COCHE BOMBA

  • Writer/Director Bane Fakih and Producer Birgit Gernböck with KEEP IT TOGETHER

  • Writer Charlotte T. Martin and Director Cynthia Silver with MELISSAWriter/Director Laura Moss and Producer Mali Elfman with OVER AND OVER

The leadership committee for the program, in addition to the jury, included the following:

MENTORS:producer Anne Carey (Can You Ever Forgive, 20th Century Women), director/producer Julie Dash (Daughters of The Dust, Rosa Parks), director/producer Lesli Linka Glatter (³Homeland,² ³Mad Men², Now and Then), director/writer/producer Nicole Holofcener (Enough Said, Friends with Money), and actor Catherine Keener (Get Out, Kidding). 

WRITING MENTORS: writer/director Semi Chellas (³Mad Men², American Woman), writer/director Tina Gordon (Little, Drumline), writer/producer Liz Hannah (Long Shot, The Post),writer/producer/director Aline Brosh McKenna (³Crazy Ex-Girlfriend², The Devil Wears Prada),and writer/director Olivia Milch (Ocean¹s 8, Dude).

MASTER CLASS ADVISORS: actor/producerSarah Jessica Parker Sex and the City², ³Divorce²) and producer Alison Benson (³Divorce², Here and Now), costume designer Ane Crabtree (³The Handmaid¹s Tale², TheLast Thing He Wanted), editor Sabine Hoffman (Juliett Naked, The Glorias, Maggie¹s Plan),composer Laura Karpman (Why We Hate, Cotton Club Encore), casting director Laura Rosenthal (Carol, Unbelievable), and writer/director/producer Julie Taymor (Frida, Titus, Across the Universe).

Coco Baudelle, Greenwich Hotel Penthouse on November 06, 2019 in New York City. (Photo by Dimitrios Kambouris/WireImage )

About the recipients:

Hannah Peterson is a graduate of the MFA program in Film Directing at CalArts and has worked closely with filmmakers Sean Baker and Chloé Zhao. Filmmaker Magazine named Hannah as one of 25 new faces of independent film in 2018. Her film, East of the River, premiered at the Tribeca Film Festival and Slamdance Film Festival 2019 where Hannah was awarded the Russo Brothers Fellowship. Most recently, Hannah directed the Disney Channel series, ³Shook.²

Producer Taylor Shung is a producer born and raised in New York City. She recently co-produced Nomadland, directed by Chloe Zhao, and Mickey and the Bear (SXSW), directed by Annabelle Attanasio. Her short films have played at prestigious festivals around the world, and most recently she produced Agua Viva, directed by Alexa Lim Haas, which won the 2018 SXSW Animated Shorts Grand Jury Prize. Taylor is a 2019 Sundance Creative Producing Fellow and a producer for Borscht Corp., a film and arts non-profit in Miami.

Alysia Reiner, Greenwich Hotel Penthouse on November 06, 2019 in New York City. (Photo by Dimitrios Kambouris/WireImage )


photos by: Dimitrios Kambouris/Wire Image

Announcement: Jeff Gray

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